REVIEWS
'Alexander Kashpurin's Last Minute Triumph'
About the Final of the Liszt Utrecht International Piano Competition, January 2026
'By the time the final chords of Liszt’s Second Piano Concerto sounded through the full Grote Zaal at TivoliVredenburg, it was already clear that this “late entry” (of Alexander Kashpurin) had seized his chance. Kashpurin not only won First Prize but also the Audience Prize, confirming both jury and public were united in their judgment. '
The whole article can be found on the WFIMC website Read More ->>
Kashpurin emerged as a musician and artist who listens, leads and transforms collaboration into conviction
Review FInal of the Liszt Utrecht Intyernational Piano competition by Laurence Vittes, January 2026
Alexander Kashpurin made an immediate impact with his performance of Liszt's Second Piano Concerto, asserting confident, deeply lived-in authority from within the music. Rather than competing with the orchestra, he led through attentive listening, expressive phrasing, and masterful use of silence. His virtuosity always served musical beauty, with flowing runs and expansive melodic lines shaped with clarity and purpose.
The spiritual sections formed the emotional heart of the performance, where his chamber-music sensitivity inspired a genuine dialogue with the orchestra. The concerto unfolded as a series of vivid, magical moments, culminating in a powerful yet intimate finale that fully realized Liszt’s theatrical but listening genius.
Kashpurin’s compelling interpretation earned him both the First Prize and the Audience Award.
The whole review can be found on 'Seen and Heard International website. Read more >>
'Alexander Kashpurin, un great talent unveiled'
An exellent review by Christophe Huss, music critic of LEDEVOIR, after Alexander his performance of the Etudes Tableaux of Rachmaninov in the Bourgie hall in Montreal, April 2024.
Christophe Huss is writing among other things the following
"The great Russian tradition, combining technique, intelligence, panache, flamboyance and sheer brilliance. And now, with all the praise, pretensions and assertions ............., we had him live in front of us, under the fingers of Alexander Kashpurin. The solid side, framed, as if cast in bronze, with infinite musical intelligence, a refined touch, shaded whenever necessary, daring flights of fancy, real panache, but without destroying the keyboard (in the manner of Matsuev): Kashpurin has it all.Kashpurin uses it to make the piano a larger-than-life instrument.
From the point of view of the way the instrument sounds and resonates, this concert was one of the most intoxicating of the season."
The whole review (in French) Read more >>
Noblesse et Poésie
Review by Alain Cochard of Concertclassics.com after Alexander his performance during the Lille Piano Festival, June 2025.
"Alexander opens the concert with the complete cycle Études-tableaux opus 39 by Sergei Rachmaninov.
His entrance onto the stage is both calm and determined, in complete harmony with what we hear next.
From the first notes of the opening piece, a strongly internalized agitato, it is clear that the performer has perfectly understood the challenge of a series of character studies. His technique is magnificent, never fragmented and without any frills. The music therefore comes into its own, carried by a rich but never fat sound, and a clear playing that excels in Rachmaninov's complex musical text.
Nine Études-tableaux, nine landscapes of the soul that the pianist captures with nobility and poetry – equally convincing in the most intimate and the most lively pieces – with a keen sense of the fantastic character that is so strongly present in this opus (the seventh is simply magnificent!).
As an encore, he plays the Pas de Deux from Tchaikovsky's The Nutcracker, in the arrangement by Mihail Pletnev: a performance full of fluidity and suppleness, which proves that Kashpurin, despite the pianistic translation, never loses sight of the choreographic origins of the piece.
Great class.”